If you've been following the buzz around syudou—the Vocaloid producer and songwriter behind Ado's explosive hit "Usseewa"—his appearance on the ABC TV variety show Aiseki Shokudo on July 21, 2026, gave fans everything they'd hope for and more. The episode, which aired at 11:10 p.m. that evening, featured syudou exploring Osaka's historic Sumiyoshi area, accidentally crashing a pro wrestler's date, and ultimately delivering a passionate, slightly tipsy acoustic performance of his new theme song. We've gathered all the details about what happened during this memorable location shoot and why it's resonating with viewers.
The appearance was tied to the ABC Comedy Grand Prix 2026, scheduled for July 26, 2026, for which syudou composed and performs the official theme song "Waga Eikou yo" ("My Glory"). His segment on Aiseki Shokudo—a show where celebrities travel to various locations and share meals with strangers while comedy duo Chidori provides studio commentary—showcased both his deep appreciation for comedy culture and his genuine, unpolished charm when the cameras are rolling.
The Quick Version
- syudou appeared on Aiseki Shokudo on July 21, 2026, at 11:10 p.m. on ABC TV, with the episode also available on TVer.
- He visited Sumiyoshi Taisha shrine and surrounding areas in Osaka's Sumiyoshi Ward as part of a location shoot connected to the ABC Comedy Grand Prix 2026.
- During filming, syudou unexpectedly encountered pro wrestler Togi Makabe, who was apparently on a date, leading to a surprise on-camera interaction.
- At a hand-made udon restaurant, syudou drank and performed an acoustic guitar version of his theme song "Waga Eikou yo" with visible passion.
- People syudou met during the shoot repeatedly straightened up and paid closer attention once they learned he wrote Ado's "Usseewa."
Who syudou Is and Why His "Usseewa" Credit Opens Doors
For those who know Ado's music but haven't necessarily tracked the creators behind it, syudou is the songwriter and composer who gave the world "Usseewa" (うっせぇわ), Ado's major-label debut single released on October 23, 2020. The song became a cultural phenomenon in Japan, racking up approximately 100 million YouTube views, 300 million streams, and even earning a nomination for Japan's Buzzword Award. Its sharp, defiant lyrics and punchy melody struck a chord with a generation frustrated by social expectations, and syudou's name became synonymous with that breakthrough moment.
But syudou's career extends well beyond that single track. He's been active as a Vocaloid producer since around 2012, creating songs like "Jama," "Bitter Choco Decoration," and "Call Boy" that built a dedicated online following. His work blends catchy pop sensibilities with an edge—sometimes playful, sometimes biting—that resonates deeply with younger audiences. He's also known as a comedy enthusiast, which made his appearance on Aiseki Shokudo, a variety show centered around spontaneous interactions and humor, a natural fit.
Throughout the episode, we see how powerful the "Usseewa" association is. When syudou introduces himself to locals in Osaka and mentions he wrote the song, their demeanor shifts immediately—spines straighten, expressions become more attentive, and the conversation takes on a different energy. It's a testament to how deeply that track penetrated Japanese pop culture, and it gave the episode a recurring comedic beat as syudou gently wielded this credential throughout his travels.
The "Waga Eikou yo" Theme Song and Its Comedy Tribute
syudou's appearance on Aiseki Shokudo wasn't just a celebrity travel segment—it was part of the promotional lead-up to the ABC Comedy Grand Prix 2026, scheduled for July 26, 2026. For this competition, syudou composed and performs the official theme song "Waga Eikou yo" (我が栄光よ), which translates to "My Glory." According to program descriptions, he created the song as a tribute to comedians' remarkable ability to make people laugh and move them emotionally with nothing but their own presence and talent—what he describes as the inherent coolness of entertainers who work with "empty hands."
This theme song plays a central role in the episode. It's not just background music; it becomes the emotional anchor of syudou's journey through Osaka. We see him carrying his guitar, clearly prepared to share the song, and the segment builds toward a moment where he'll perform it in an authentic, unplanned setting. The fact that he's both a successful music producer and someone genuinely passionate about comedy culture gives the theme song—and his entire appearance—a layer of sincerity that resonates throughout the episode.
When Chidori, the show's hosts, learn that syudou wrote "Usseewa," they playfully request that he create a song for them titled "Uruseenja" (うるせんじゃ), a dialect variation that roughly means "Don't be so loud" or "Shut up" in a more humble, Kansai-inflected way. It's the kind of self-deprecating joke that fits the show's warm, collaborative tone, and it highlights how syudou's work bridges the worlds of online music culture and traditional Japanese comedy television.
The Sumiyoshi Location Shoot: Shrines, Street Food, and Surprises
The episode takes syudou through Sumiyoshi Ward in Osaka City, starting with a visit to Sumiyoshi Taisha, one of Japan's oldest and most respected Shinto shrines. During this segment, syudou demonstrates that he's done his homework, showing off detailed knowledge about the shrine's history and significance. It's a side of him that viewers might not expect from a Vocaloid producer—someone who takes preparation seriously and genuinely engages with the places he visits.
From there, the journey continues to Sumiyoshi Park and the nearby shopping arcade Shiokake Yokocho, a street lined with food stalls and small restaurants. This is classic Aiseki Shokudo territory: intimate, local spots where celebrities can have unscripted interactions with everyday people. syudou visits a grilled offal restaurant and later a hand-made udon shop, and at each stop, the "Usseewa" revelation serves as both an icebreaker and a source of genuine surprise for the locals he meets.
But the most unexpected moment comes when syudou spots pro wrestler Togi Makabe during the shoot. Makabe, known for his love of sweets and previous appearances on the show, is apparently on a date when syudou approaches him on camera. Makabe's immediate reaction—"I'm on a date!"—and the visible presence of a woman beside him create a moment of spontaneous comedy. Back in the studio, Chidori react with excited speculation, asking whether she's his girlfriend or wife, adding a layer of playful intrigue to an already unpredictable segment.
The Drunk Acoustic Performance That Stole the Show
The emotional climax of the episode arrives at a hand-made udon restaurant in the shopping street, where syudou shares a table with a male customer. After a few drinks, inhibitions lowered and guitar in hand, syudou performs "Waga Eikou yo" in an intimate acoustic setting. Multiple sources describe him as visibly drunk during the performance, and rather than detracting from the moment, it adds a raw, genuine quality that reality television rarely captures.
This isn't a polished music video or a rehearsed television performance. It's a songwriter, slightly tipsy, sharing a song he wrote to honor comedians with a stranger over udon. The passion in his delivery is unmistakable, and it becomes clear why the show chose to feature this segment so prominently in promotional materials. We get to see syudou not as a behind-the-scenes hitmaker or an internet producer, but as a performer in his own right, unguarded and fully present in the moment.
The choice to film this performance in such a low-key setting—a neighborhood udon shop, not a concert hall or studio—perfectly encapsulates what Aiseki Shokudo does best. It finds beauty and entertainment in everyday interactions, and syudou's willingness to be vulnerable, both emotionally and in terms of his slightly inebriated state, makes the segment memorable. For fans of his music, it's a rare glimpse of the person behind the productions, and for viewers discovering him for the first time, it's an unforgettable introduction.
Why This Appearance Matters for syudou's Public Presence
For someone who built his career primarily online as a Vocaloid producer, appearing on a mainstream variety show like Aiseki Shokudo represents a significant expansion of syudou's public profile. While "Usseewa" brought his name to millions, it was Ado's voice and persona that dominated the spotlight. This television appearance gives syudou his own narrative, his own moments, and his own chance to connect with audiences who might know his work but not his face or personality.
The episode also reinforces his genuine passion for comedy culture. He's not just a musician fulfilling a promotional obligation; he's someone who clearly admires the craft of making people laugh and wanted to honor that through his theme song. His interactions with Chidori, his respectful approach to the locations he visits, and his willingness to perform spontaneously all paint a picture of someone who takes entertainment seriously—whether it's music, comedy, or the hybrid space where the two meet.
We should also note that this appearance comes at an interesting moment in Japanese entertainment, where the lines between internet culture and traditional media continue to blur. syudou represents a generation of creators who built their careers on platforms like Nico Nico Douga and YouTube, and his presence on a long-running variety show demonstrates how those worlds are increasingly interconnected. His comfort on camera, despite his online origins, suggests we'll likely see more of him in traditional media spaces going forward.
What People Are Saying
"Watching syudou get progressively drunk and then just pour his heart into that acoustic performance was the most genuine thing I've seen on variety TV in ages. No script can create that kind of moment."
— Japanese Twitter user, translated
"I've loved his Vocaloid work for years, but seeing him talk about his respect for comedians and then actually perform in front of strangers made me appreciate him on a whole different level. He's not just talented—he's brave."
— Fan comment on Japanese message board
"The way everyone's posture changed the moment they heard 'Usseewa' was hilarious. That song really did become such a cultural touchstone. Also, poor Makabe-san getting ambushed on his date!"
— Viewer reaction on social media
"syudou showing off his knowledge about Sumiyoshi Taisha and then later getting drunk and singing at an udon shop is the range I didn't know I needed. This episode had everything."
— Japanese entertainment blog commenter
Frequently Asked Questions
When did syudou's Aiseki Shokudo episode air?
The episode aired on July 21, 2026, at 11:10 p.m. on ABC TV. It's also available for free streaming on TVer for viewers who missed the broadcast.
What is "Waga Eikou yo" and why did syudou write it?
"Waga Eikou yo" (My Glory) is the official theme song for the ABC Comedy Grand Prix 2026, scheduled for July 26, 2026. syudou created it as a tribute to comedians' ability to make people laugh and move them with nothing but their own talent and presence.
Who is Togi Makabe and what happened when syudou met him?
Togi Makabe is a professional wrestler known for his love of sweets and previous appearances on Aiseki Shokudo. During syudou's location shoot, he unexpectedly encountered Makabe, who was apparently on a date. The surprise interaction, with Makabe exclaiming he was on a date, became one of the episode's memorable moments.
Where did syudou visit during the episode?
syudou explored Sumiyoshi Ward in Osaka City, including Sumiyoshi Taisha shrine, Sumiyoshi Park, and the Shiokake Yokocho shopping arcade with its food stalls. He visited a grilled offal restaurant and a hand-made udon shop where he performed his theme song.
Is the episode available online?
Yes, the episode is available for free streaming on TVer, a Japanese platform that offers recent broadcasts from various networks. This makes it accessible to viewers who couldn't watch the original July 21, 2026, broadcast.
Looking Back at an Unexpectedly Perfect Evening
syudou's appearance on Aiseki Shokudo on July 21, 2026, gave us something we don't often get from celebrity travel shows: genuine spontaneity mixed with real vulnerability. From his well-researched visit to Sumiyoshi Taisha to his accidental run-in with a pro wrestler on a date, and culminating in that unforgettable drunk acoustic performance at an udon shop, the episode captured lightning in a bottle. We got to see the songwriter behind one of Japan's biggest recent hits step into his own spotlight, honor the comedy culture he loves, and share an unpolished, heartfelt moment with strangers.
For those who caught the broadcast or plan to stream it on TVer, the episode offers a rare window into syudou's personality beyond his online producer persona. And with the ABC Comedy Grand Prix 2026 scheduled for July 26, the theme song "Waga Eikou yo" will soon have its full moment in the context it was created for. If the Aiseki Shokudo performance is any indication, it's going to resonate deeply with anyone who appreciates both great music and the people who dedicate their lives to making others laugh.
